Rolando tinio national artist
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Emancipation of a National Artist: Necrologic Context and Gelastic Feature in Rolando Tinio’s Letran Short Stories
Manuel R. Zamora Jr.
Discipline: Philippine History
Abstract:
Colegio de San Juan de Letrán, which turns four centuries old in , has contributed much in the shaping of the minds of some of the country’s illustrious writers. To name a few, Letrán has produced the likes of Francisco Balagtas, Severino Reyes and Jesus Balmori. These writers penned tales and stories that captured the imagination of a people. Rolando Santos Tinio, who was awarded posthumously in as National Artist for Theater and Literature, was one of these Letranites. His genius was very evident in these roles: “director, actor, playwright, poet, essayist.”1 That Rolando S. Tinio was a Letranite is less known by the public. Tinio is more often associated with the University of Santo Tomas (where he finished his degree in philosophy), the Universit
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Rolando S. Tinio was a multi-talented artist who excelled in various artistic fields such as playwriting, acting, poetry, teaching, criticism, and translation. Throughout his career, Tinio showcased his immense creativity and productivity. However, his most notable contribution lies in his role as a stage director. With his unique perspective and deep understanding of the scripts he worked on, Tinio brought forth productions that were visually impactful and intellectually compelling.
Following his successful stint with the Ateneo Experimental Theater, where he also served as an organizer and administrator, Tinio went on to work with Teatro Pilipino. It was during this time that he dedicated a significant amount of effort to revive traditional Filipino drama. bygd restaging old theater forms like the sarswela and introducing contemporary Western skådespel, Tinio breathed new life into the Philippine theater scene. His exceptional talent and artistic vision played a crucial role in elevati
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Rolando S. Tinio
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