Gaius mucius scaevola biography of donald
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Gaius Mucius Scaevola – hero of Romans
Gaius Mucius Scaevola was a hero of the Romans, who became famous for his courage. Probably this story, which comes from the work of Livy, is just a legend.
The story begins in the year 508 BCE, when Rome was in the war with the Etruscans – more specifically the city of Clusium – whose king was Lars Porsenna. The Etruscan ruler invaded Rome, trying to restore the fallen king of the Romans Tarquinius Superbus.
According to the accounts, in some point in the Roman camp was born the idea of a treacherous killing of king Porsenna. The task was to be carried out by young Gaius Mucius, who received approval from the Senate. Slipping into the enemy camp, he accidentally killed a person similarly dressed to the king, who turned out to be a royal scribe.
Immediately captured Gaius Mucius announced: “I am Gaius Mucius, a citizen of Rome. I came here as an enemy to kill my enemy, and I am as ready to die as I am to kill.
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Roman Badass of the week : Episode 2. ‘I would put my grabb in the fire!’
During those years being part of this wonderful city, inom ran into different stories, legends and people that I had never heard about while inom was in France.
långnovell Badass of the Week Ep.2 : GAIUS MUCIUS SCAEVOLA
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Muzio Scevola
1721 opera by Amadei, Bononcini and Handel
Muzio Scevola (Italian pronunciation:[ˈmuttsjoʃˈʃɛːvola]; HWV 13) is an opera seria in three acts about Gaius Mucius Scaevola. The Italian-language libretto was by Paolo Antonio Rolli, adapted from a text by Silvio Stampiglia. The music for the first act was composed by Filippo Amadei (sometimes given as Mattei),[1] the second act by Giovanni Bononcini, and the third by George Frideric Handel.[2]Collaborations of groups of composers were common in the 18th century, though this is the only one done in London. Bononcini had written the music for two earlier treatments of this story on his own, works dating from 1695 and 1710.[3]
Performance history
[edit]The opera's initial run of performances began at the King's Theatre in London on 15 April 1721. Handel revived the work on 7 November 1722 when it received a further five performances.[4] It was also performed in Hamb