Bobby thompson hee haw biography
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Buddy Spicher & Bobby Thompson
Biography
Buddy Spicher: Fiddle player. Born July 28, 1938. Real name: Norman Keith Spicher. Successful session fiddler, his work is most prominent during the 1960s and 1970s. His work can be heard on numerous recordings from the era, including Charley Pride’s “Is Anybody Goin’ to San Antone,” and Dolly Parton’s “Coat of Many Colors.” Appeared on the Wilburn Brothers Show, and worked as a sideman for numerous country artists, including Bill Monroe, Ray Price, Hank Snow, Patsy Cline, Kitty Wells, and Loretta Lynn.
Bobby Thompson: Bluegrass musician. Died May 18, 2005. Banjo and guitar player. Credited with being one of the inventors of the melodic style of banjo playing. Member of Jim & Jesse’s Virginia Boys band and cast member of the Hee Haw television show. As a session musician he appeared on numerous recordings, including work for Johnny Cash, Marty Robbins, Elvis Presley, Tammy Wynette, Perry Como, and the Monkees.
Interview Summa
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$129.0Buy It Nowor Best Offer
free,30-Day Returns
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(1060)100.0%,
Location:Monteagle, Tennessee, 373**, US
Ships to: US,
Item:285296834187
All returns accepted:ReturnsNotAccepted
Artist:Ray Stevens
Industry:Music
Original/Reproduction:Original
Genre:Country
Country/Region of Manufacture:United States
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material:
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NARAS Award to Bobby Thompson. National Academy of Recording Arts & Sciences. For the # 1 Hit by Ray Stevens 1974………….. For Bobby Thompson’s Musical Contribution to this # 1 Hit song bygd Ray Stevens. 1974 # 1 Hit………….. NARAS Nashville Chapter………. with Gold Nashville Seal. This Award came from the estate of the late ” Bobby Thompson. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Bobby Thompson Biography: Bobby Thompson (born Robert Clark Thompson; July 5, 1937 – May 18, 2005)….. was an Americ
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Hee Haw Banjo
I am getting a lot of questions about the story and the set-up of Bobby Thompson’s studio banjo, also referred to as the “Hee-Haw Banjo”, and would like to give an in-depth description of the perhaps most often recorded banjo ever. Bobby gave me the banjo in 1996 because he could no longer play it anymore due to his illness. I’ve always loved Bobby Thompson’s banjo sound ever since I started to play the banjo in 1968. The sound of his banjo and his great musicality to me represented Nashville more than anything else. But as unique as his banjo sounds on the countless recordings (so far my collection of albums featuring Bobby Thompson’s excellent banjo work contains about 400 records or more) as unique are the features of this historical instrument.
Alone the model name of the banjo is controversial. Bobby always spoke of his Baldwin Style E Prototype but it actually looks like a Style D except for the tailpiece and the armrest